United States of Banana

available at Amazon.com

The United States of America will become the United States of Banana. And Puerto Rico will be the first half-and-half banana republic state incorporated that will secede from the union. Then will come Liberty Island, then Mississippi Burning, Texas BBQ, Kentucky Fried Chicken—all of them—New York Yankees, Jersey Devils—you name it—will want to break apart—and demand a separation—a divorce. Things will not go well for the banana republic when the shackles and chains of democracy break loose and unleash the dogs of war. Separation—divorce—disintegration of subject matters that don’t matter anymore—only verbs—actions. Americans will walk like chickens with their heads cut off.           

Portrait of Giannina Braschi by Michael Zansky

Giannina Braschi

3 thoughts on “United States of Banana

  1. Finally, someone takes identity politics and turns it irreverently on its head! Giannina Braschi’s work shows a sixth sense for the traffic of words in an unstoppable multilingual culture where language takes on a life of its own and where our solemnity for vacant ideologies is raucously upended. A postmodern attuned to the ups and downs of phrases and the unexpected breaks between speech and meaning, Braschi brings her passion for word play to the center of her texts where she stages a virtuoso and wicked performance against the world as we knew it. She makes us read against the grain, busting up the normal landscape of people and ideas; she drags us to the edge of the modern city to experience its glory and disarray. Hilarious and sassy, Braschi offers no olive branch to those who stand by the rules of convention. Three cheers for this book!

  2. Apocalypse and grand-guignol merge in Giannina Braschi’s irreverent account of September 11th. Turning disaster into a Surreal nightmare, she catalogues what is left of the attack to the Towers in the form of scattered body parts: here, the torso of a businessmen flying in his bright white shirt, there, two hands holding each other before the last jump, and, only few blocks away, a rolling head crowned by glazed donuts. Perfect for an audiobook in its jazzy, colloquial style, and ideal to be read aloud in the corrosive style of Lenny Bruce, United States of Banana develops from the sophisticated intricacy of a Postmodern narrative, overlapping the voices of Segismundo and Hamlet, Calderon and Shakespeare, Seneca and Artaud. Through her intertextual vision shaped by the masterpieces of both the Spanish and the English tradition, the Puerto Rican writer accounts for the falling towers as the ultimate American spectacle, turning terror and catastrophe into a tragic comedy seen through the bewildered, satiric eyes of a Hispanic passer-by. Her black humor is as blasphemous as Max Papeschi’s digital collage of McDonald’s clowns in a military mission in Afghanistan. Challenging the fear and repression of dissent in the age of terror, Giannina Braschi wickedly brings a black humorous touch to the entropic scenes of disaster, writing from the estranged perspective of a Puerto Rican in New York, fully aware to “look like an Arab and walk like an Egyptian.” The best part of her writing lies in the code switching and the verbal ironies produced by her creative use of Spanglish, which contributes to make of September 11th a transnational event broader than the monochrome version staged on tv.

    From its very title, United States of Banana, is the quintessential danse macabre of the millennium, coming from a word-player who knows how to grin at despair, like a Shakespearean fool who is too busy to dig out from the ashes the signs of a new era to partake of the mourning hoopla of the national order resuscitated after the mutilating attack to the most iconic towers in media history.
    –Daniela Daniele, University of Udine, Italy

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